Additional Pictures Green-Wood Cemetery-Greenwood, Brooklyn New York
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The Tour, an illustrative drawing showing the recommended route for visitors that passed main attractions in the cemetery from James Smillie, Green-Wood Illustrated in Highly Finished Line Engraving, From Drawings Taken on the Spot, with Descriptive Notices by Nehemiah Cleaveland. New York, NY: R. Martin, (1847)
Birds Eye View of Greenwood Cemetery. Near New York by John Bachmann, (1852)
Entrance to Green-Wood, the Gothic Revival Main Gatehouse designed by Richard Upjohn and his son R. M. Upjohn in 1861-63, and constructed in red sandstone with yellow sandstone tympanum panels carved by John Moffitt (1906)
The East Entrance Residence (left) and Visitor's Lounge (right), from Green-Wood Illustrated, (1891)
The East Entrance Residence showing current architectural condition and mature vegetation (2005)
9th Avenue Gatehouse designed in the Romanesque Revival style by Warren and Wetmore and constructed in 1926, with grounds attributed to Landscape Architect Charles Downing Lay (2005)
The Chapel, constructed 1911-1913 and designed by Warren and Wetmore in the late Gothic Revival style, modeled after the Tom Tower at Christ Church, Oxford (2005)
The Receiving Tomb designed in 1853 by Richard Upjohn and Son, with adjacent hillside tombs (2005)
Historic view of the 5th Avenue Viaduct, designed c.1860 in the Romanesque Revival style, to carry 5th Avenue over the cemetery west service entrance, taken shortly after construction (1860)
View across the landscaped circle at the intersection of Grove, Ocean and Locust Drives looking toward the Catacombs, a Gothic Revival hillside tomb with an arched entry leading into thirty family crypts, built into the adjacent topography (2005)
Picturesque landscape and curvilinear roads near Lake Avenue and Oak Avenue above Sylvan Water (2005)
Valley Water taken near the intersection of Landscape Avenue and Valley Avenue, with fountain, surrounding vegetation, and vista of monuments beyond (2005)
View down Battle Avenue showing the visual relationship between the Stewart tomb (left) and the Main Gatehouse (right) (2005)
Hillside tombs along Sycamore Avenue above the Receiving Tomb showing topography and current landscape maintenance (2005)
The view from Battle Hill near Minerva looking toward Manhattan (2005)
View along curving alignment of Atlantic Avenue, with Stephen Whitney chapel mausoleum visible through the mature trees (2005)
The Civil War Soldiers' Monument with bronze figures at the base of the obelisk (2005)
The De Witt Clinton Monument, showing granite pedestal with bronze sculpture by Henry Kirke Browne, and landscaped lot (2005)
John Anderson's Greek Revival mausoleum at the intersection of Battle Avenue and Highland Avenue with sculpture by John Moffitt (2005)
Chauncey family mausoleum with Gothic and exotic Moorish Revival details located on Oak Leaf Avenue (2005)
Charles Feltman's mausoleum with Renaissance Revival articulation, urns, and sculpture located near Border Avenue and the east Fort Hamilton Parkway entrance (2005)
Marcus Daly's mausoleum with Tiffany windows (2005)
View uphill from toward the massive Classic Revival mausoleum for the Miller family with Moorish arches on Ridge Path above Sylvan Water (2005)
William Niblo's hillside mausoleum tomb in the Gothic Revival style, with elaborate terrace garden and sculptures overlooking Crescent Water (2005)
Stewart hillside [mausoleum] tomb by Stanford White with bronze panels by Augustus Saint-Gaudens, on Battle Avenue near the main entrance (2005)
Gothic Revival brownstone open-air pavilion and sarcophagus designed by Richard Upjohn for Green-Wood's founder Henry Evelyn Pierrepont and family, located on a knoll above Cypress Path at Lawn and Vista Avenues (2005)
Charlotte Canda monument, executed by Frazee and Launitz in marble (2005)
Brownstone Gothic Revival gate for the Fuller Cameron family lot with surrounding plantings near Oak and Lake Avenues (2005)
Frankie sculpture by Daniel Chester French (2005)












