Taftsville Covered Bridge, Taftsville Vermont

Date added: November 01, 2021 Categories: Vermont Bridges Covered Bridges Multiple Kingpost Truss
2004 NORTH SPAN

Taftsville, Vermont, is named for the first settler of the village, Stephen Taft, who arrived from Massachusetts around 1793, although there seems to have been agricultural settlement in the vicinity earlier. He soon built a power dam on the Ottauquechee River, and a factory on the south riverbank to make axes, scythes, and other edge tools necessary in this period of expanding agriculture. His brother Daniel Taft arrived as an apprentice in 1794, and later set up his own business. Meanwhile, Stephen Taft built a sawmill on the north riverbank. Later came a plow and stove factory, a gristmill, a shingle mill, a chair factory, a brickyard, a blacksmith shop, a tannery, and a slaughterhouse.

Such a busy settlement needed a bridge across the river. The date and style of the first bridge are unknown, but it was lost to a flood in 1807. Floods also washed out two successors in 1811 and 1828. These early bridges were likely either trestles, or simple, multi-span truss bridges that were not covered.

Taftsville was ready for a more secure bridge. In 1836, Solomon Emmons III, a prominent local citizen, built the original portion of the present covered bridge. While not a prolific builder, he is known to have built at least one other bridge in downtown Woodstock, Vermont.

The Taftsville Bridge cost around $1,800 to build, of which almost sixty percent, $1,050, was for the stonework. This suggests that the previous bridge was a timber trestle, or that it had only wooden piers. The two new abutments and the center pier were built of dry-laid stone in random courses, and where possible footed directly upon a rock ledge.

Taftsville Bridge is a rare survivor of an early craftsman bride-building tradition, before the time when American bridge construction more or less followed one of the patented designs. The original design is hard to classify, but it is probably best described as a modified multiple-kingpost truss. The basic design can be traced back to central Europe in the Middle Ages, having been described by Palladio in 1570. Various heavy-timbered elaborations appeared in Switzerland. There, the simple queenpost or multiple-kingpost trusses often were combined with a polygonal arch to make an effective, but highly redundant, bridge.

Covered bridges built in America during the 19th century utilized a variety of structural forms, but most American builders favored simpler framing styles. Theodore Burr received his first patent for the Burr arch-truss in 1817, and Ithiel Town was awarded a patent for his lattice truss three years later. By 1836 there were numerous examples of both structural types across the Northeast, but Emmons rejected them in favor of a non-standard design that more closely resembled some early European bridges. One possible influence on the design was the description of trusses contained in Francis Price's British Carpenter, first published in 1733. The work was popular enough to go through multiple printings and was in wide distribution throughout America by 1836. The primitive trusses detailed in the pages of Price's work are at least superficially similar to those of the Taftsville Bridge. A second possible influence was the heavy-timbered Shaffhausen bridge, constructed by Hans Ulrich Grubenmann in Switzerland between 1755 and 1757, and destroyed in 1799 by Napoleon's army. It was well publicized and much admired in America by the 1830s, and noted engineer Benjamin Henry Latrobe, Jr., even used it as a model for some early bridges on the Baltimore and Ohio Railroad.

Whether similarities to these antecedents are indicative of their influence or merely coincidence is a matter of conjecture, since Emmons left no record of his education, inspiration, or method. Nor is it possible to study his development through a series of structures, as he had but one other bridge to his credit, several miles downstream in Woodstock, Vermont. That bridge no longer exists, likely having been destroyed by a flood in either 1857 or 1869.

The romantic appeal of covered bridges leads many to assume, incorrectly, that they were built exclusively according to folk traditions. While the image of an isolated, self-taught pioneer devising clever solutions unique to each bridge fits conveniently with American mythology, it obscures the systematic structural thinking that dictated the truss designs used in most of these bridges. There are, however, exceptions, and the Taftsville Bridge stands in stark contrast to the systematic, engineered approach. It is an expression of folk tradition at a time when patented bridge designs were rapidly gaining popularity within the United States.

The lower chords of Taftsville Bridge are of a very archaic style. Unlike those found in covered bridges only slightly more recent, they are not built up using two or more parallel timbers. Instead, they are solid pieces of pine, with mortises cut through for the posts. As described above, two pieces were spliced together with scarf joints near mid-span to make each lower chord.

Timber for the trusses was cut and peeled (debarked) from local woods at the rate of one dollar per thousand board feet. Eight large trees went to make the lower chords, imprecisely called stringers in the old accounts, alone. The lower chord timbers were apparently hand-hewn from trees felled close to the original site, despite the probable presence of a sawmill on the site prior to the construction of the bridge. Given their length, it seems reasonable to suggest that they were too large for the carriage of the saw. The appearance of other members in the bridge suggests that they were finished with a reciprocating sash saw, but they show considerable variation in dimension nonetheless.

The bridge's posts are chestnut, and its diagonals are spruce. The laminated arches, which are such a prominent feature of the bridge today, were a later addition, and they appear to have been machine cut.

Vertical mortises through the lower chords allow the posts to pass completely through the chords. The chords bear down on wedges, which bear in turn on transverse blocks that fit in mortises cut with the grain through each post . Though a labor-intensive type of joint to make, the wedges allowed the builders to adjust each joint and square the structure to some degree as it was erected. In an attempt to prevent splitting along the grain in the post below the joint (due to shear stress induced by the transverse blocks), a hardwood trunnel was inserted across the grain. In the event of a split, this trunnel could carry some, or perhaps all, of the load, depending on the severity of the split.

Wedges were most commonly used to pre-stress trusses. Applying a tensile load to the posts in this manner places a compressive load on the diagonals that tends to keep the joints tight and rigidize the truss. This use of wedges to pre-stress a truss was apart of Long's patent dated March 6, 1830, six years before the construction of the Taftsville Bridge, but it is not known if Emmons was aware of it. Since many of the timbers are roughly hewn, and wedges are located both above and below the transverse blocks, structural alignment evidently was Emmons' purpose for using this type of joint, and any actual pre-stressing in this case appears to be coincidental and unintended.

As with many covered bridges, the Taftsville Bridge exhibits considerable random variation in the cross-sectional size of similar members. Posts are around 6-1/2 inches by 11-1/2 inches on average, although posts in the end panels are larger. Braces average around 7 inches by 8 inches, and the timber forming a segment of the polygonal arch in each panel is of similar or slightly smaller size. The outboard end panels have two braces; one perhaps intended as an ordinary brace for the multiple-kingpost truss, while the other completed the rough sweep of the polygonal arch. The end panels over the center pier, while originally built with a single brace each, now feature three apiece. Many of the end braces are rotary sawn, indicating that they were added or replaced at a later date. Panel lengths vary from about 11 feet in the center panels to 16 feet, 6 inches in the end panels.

The total length of the bridge at the floor is 188 feet, 10 inches. The west span (closest to downtown Taftsville) is 89 feet, 1 inch in length, while the east span measures 99 feet, 9 inches. These figures include a small amount of extra housing length at the bridge ends, perhaps a foot, but the exact amount could not be determined without removing the shelter panel boarding. The portals are overhung about five feet, although the exact figure varies from one end to the other, so the roofline is close to 200 feet long. The difference in the span lengths is apparently the result of riverbed conditions that dictated the best placement of the center pier.

The upper lateral bracing does not include a horizontal X form for stability. Instead, the lateral tie beams have short diagonal braces on each side connecting to the upper chord of the truss. The floor no longer has any lateral bracing, but empty dap cuts in the lower chords are evidence that X braces probably were a part of the original design. The floor beams, which are not original, rest atop the lower chords and measure about 7-3/4 inches by 13 inches.

By a geographical coincidence, the Taftsville Bridge was located at the comer of three different towns, and it served an important portion of a fourth. Thus, maintenance costs were apportioned among these towns as follows: Woodstock, 18/40; Hartford, 11/40; Pomfret, 8/40; and Hartland, 3/40. An 1851 act of the Vermont legislature made town-limit changes that shifted fifteen acres at Taftsville from Hartland to Woodstock, which put the bridge entirely within the limits of Woodstock. Nevertheless, the other towns continued to make contributions to its maintenance according to the old formula as late as 1908.

The present configuration of the Taftsville Bridge is the result of several significant alterations performed over the course of more than 150 years. The original builder, Solomon Emmons III, maintained the bridge from its construction until his death in 1869, after which his son, Captain Edwin Charles Emmons, assumed responsibility for its upkeep through 1898. Altogether, the Emmons family was involved with the structure continuously for over six decades.

The younger Emmons raised the bridge approximately three feet in 1869, following a flood that damaged the south abutment and a bottom chord. Stone was added to raise the two abutments, but not the central pier. It received wood cribbing on top of the existing stonework to reach the new height.

A second major intervention occurred in 1910, when the scarf joints in the bottom chord were reinforced. Vertical iron ties were added near each post, and parts of the bottom chords adjacent to the abutments were replaced. The cost of these repairs totaled $1720.

By far the most obvious and significant change was the addition of laminated timber arches to supplement the trusses. These arches clearly were added sometime after the bridge's initial construction, but their date of installation is uncertain. Those in the south span are ten-ply with a built-up dimension of about 9-1/4 inches by 27-1/4 inches, while those in the north span are twelve-ply and total 9-1/4 inches by 32-1/2 inches. Although the north span is longer, its arches are considerably lower than those in the south span. The arches themselves are approximately the same height from feet to arch apex, but the feet of the north arches sit lower on the pier and abutments. In the middle two-thirds of each span, hanger rods from the arches support the same floor beams that bear on the lower chords, thus relieving some of the load from the truss. Unlike a Burr arch-truss, these arches are not connected directly to any truss members, so they do not interact directly with the trusses. The portion of the load each carries is transmitted from the floor through hanger rods to the arch, thence directly to the abutments and pier. The addition of these arches probably occasioned the removal of some of the sway bracing between the posts and tie beams, which may have been the cause of distortion trouble later on.

The sides of the bridge were originally solid planks without windows, making the inside very dark. Beginning about the turn of the twentieth century, the town regularly paid $9 per year to Woodstock Electric Company for lighting. About 1914, long windows were cut in the siding, and the bridge is now quite bright. An inspection in 2003 suggested that pieces of diagonal timbers that once stiffened the floor laterally, timbers possibly removed to facilitate installation of the arches, were reused as nailing support for the siding, leading to conjecture that the present siding, with its window openings, may have been installed at the same time the arches were added.

During the 1920s, the sides of the bridge's west span began to lean considerably, probably due to the earlier removal of diagonal bracing between the posts and tie beams during the installation of the arches. At the recommendation of an engineer from Springfield Massachusetts, iron rods with a turnbuckle were attached from a timber under the roof to a ledge in the river in order to pull the bridge back into plumb. How long this fixture remained in place is not known, but the permanence of the river anchorage point, which can still be seen, suggests that it may have been intended to be more than a temporary expediency. Nevertheless, it was removed at some later point, and a July 2004 inspection showed the bridge was again leaning.

From December 1952 through March 1953, Miller Construction of Windsor, Vermont, used the frozen river as a platform to raise the bridge another foot, reinforcing the abutments and central pier with concrete caps. Following these alterations, Miller made various repairs to the lower chords and installed new steel gussets between the posts and roof tie beams. Finally, the bridge floor was augmented with a new layer of tread timbers installed perpendicular to the existing ones. The wooden roof shingles were replaced with a metal roof in 1959-60, which was itself replaced in kind in 1993. During the late 1980's so-called "distribution beams" were installed along the tread centerlines beneath the floor beams. These distribution beams, overlapping 8-inch by 16-inch timbers, apparently were an attempt to stiffen the floor, but given the relatively short lengths of each timber and the number of joints, their effectiveness is difficult to assess. Repairs to four horizontal tie beams under the roof were necessary in 1993 after a tall van passing through the bridge destroyed them.

Originally unpainted, Taftsville Bridge received a coat of red paint around 1959. Although some covered bridges were always painted, many received red paint for the first time in the 1950s, perhaps because of the influence of Christmas card views and other Americana showing red covered bridges.

Taftsville was an industrial and commerce center long before the covered bridge entered service in 1836. During that time, Vermont was in the midst of the merino sheep-raising craze. From the 1860s on, dairying became a prominent agricultural activity.

The Woodstock Railway arrived in 1875, and trains served Taftsville until 1933. For some years in the 1960s the old TAFTSVILLE station sign was mounted on the covered bridge's portal. It was later replaced with a more modern sign, which later vanished.

Manufacturing gradually disappeared, but the dam on the Ottauquechee River still generates power. The Woodstock Electric Company, established in 1893, bought the water rights from the former Taft Scythe Works. The company built a combined steam and hydroelectric generating station in 1902, then replaced the old wood-crib dam with the present concrete structure in 1909. The steam equipment was removed in 1916, but in 1942 additional hydroelectric facilities were added. In 1956, Central Vermont Public Service took over the site, which presently has a 500-kilowatt turbine, and it generates enough electricity for about two hundred houses. This is the last remnant of the industrial activity begun by Stephen Taft around 1793. Today, tourism accounts for a sizable share of the area's economy.