Abandoned plantation complex in Louisiana
Laura Plantation, Vacherie Louisiana
The land on which Laura stands was originally owned by Andre Neau, who obtained it in a French royal land grant in 1755. The plantation became the property of the Dupare family in the late 1700s. The main house appears to have been built around 1820. The plantation was divided between two family members in 1876. The house continued in the hands of Dupare heirs until 1891. In that year Dupare descendant Laura Locoul sold the property to A. Florian Waguespack. However, a condition of the sale was that the plantation and house should continue to be called "Laura". The house was passed down through the succeeding generations of the Waguespack family until 1980, when the final Waguespack residents moved out. The house is now vacant.
Although Creole dwellings once dominated the rural landscape of central and southern Louisiana, today perhaps only 300 - 400 examples of these buildings remain standing outside New Orleans. Of these, the majority are small or moderately sized one story houses, while only approximately thirty are members of the distinct group of substantial raised plantation houses regarded as the apex of the Creole style. Laura is one of these.
Louisiana retains many plantation houses, but on the whole little attention has been given to preserving the coterie of dependencies that were the "workhorses" of cotton and sugar production. These support structures have lost their original utilitarian value and have either been left to fall down or been the victims of progress. Historically the landscape was dotted with hundreds of plantation complexes such as Laura, but today they are rare survivors. More often than not, an old plantation in the state retains only the "big house" and sometimes one or two support structures. Although not as important nor as large as Whitney or Evergreen, Laura is nevertheless one of only fifteen surviving plantation complexes in the state.
Laura's two-story house-like dependency is especially important. Although two-story garconnieres and servants' quarters which stood separate but near the main house were common in many Southern cities and towns during the antebellum period, this was not the case in Louisiana. Servants in New Orleans were often housed in two-story dependencies, but these were attached to the main house in the form of an "ell" such as at Gallier House. In rural areas residential dependencies were usually one-story structures. Only two grander two-story dependencies survive in rural Louisiana. One is at Southdown and the other at Laura.
Laura is one of less than a dozen complexes in which groups of slave or tenant cabins remain standing.
Site Description
Situated within what is believed to be the Mississippi River's longest remaining agrarian stretch between Baton Rouge and New Orleans, the Laura plantation complex is located in St. James Parish just upriver from the west bank community of Vacherie. The complex consists of a large raised Creole "big house" and sixteen dependencies. These outbuildings include houses and sheds, two garages, a barn, a two-story dependency, and a set of six quarters cabins.
The Creole "big house" stands back from the River Road within a large, partially fenced yard. Seven of the dependencies also stand within the yard well to the rear of the mansion. A grove of trees largely obscures the house, and three of the outbuildings are also extremely overgrown by vegetation. The other dependencies are located outside the yard. Three stand downriver from the fenced area along a dirt road that parallels the river. Finally, the cabins stand in a row that lines one side of a second dirt road. This road runs perpendicular to the river and leads to the fields. Laura's fields have been planted in sugar cane continuously from the early 1800s to the present.
Constructed c. 1820, the main house at Laura is a raised French Creole plantation house with a brick basement story and a briquette-entre-poteaux (brick between posts) upper floor. The home contains Federal interior decorative elements but received Eastlake gallery ornamentation during the latter part of the nineteenth century. Otherwise, its Creole identity remains intact.
St. James Parish historians contend that Laura was built c. 1810 and remodeled in 1821 on the occasion of the marriage of Elizabeth Giles Dupare to George Raymond Locoul. However, no architectural evidence of an earlier home is evident within the surviving structure. Instead, the floor framing and woodwork indicate that the house was built all of a piece.
Creole characteristics found in the Laura main house include:
2) a hall-less Creole floorplan which is five rooms wide and two rooms deep. These rooms are flanked by front and rear galleries and lack interior stairs.
3) exposed beaded ceiling beams in all upper floor rooms and on the galleries,
4) chamfered gallery columns and corner pilasters with vernacular lamb's tongue stops,
5) numerous French doors, and
6) four wraparound mantels.
Laura's Federal details include door and window surrounds, paneled interior doors, and the decorative treatment of the wraparound mantels. The home's most elaborate mantel features molding, paneling and a layered mantel shelf. The other three are more restrained versions of this mantel. Other interesting features in the home include a brick herringbone floor and brick piers on the lower gallery and eight over twelve sash windows piercing the side walls of the end rooms. Only the bottom sashes of these windows move, a feature indicating their early date.
Although the Creole features of Laura are intact, the building has undergone some alteration over the years. The important changes are as follows:
2) A rear dining/kitchen addition was also added during the latter part of the nineteenth century. It is raised to the level of the main house on thick brick piers and constructed of salvaged parts. Evidence suggests that a small two-room house was moved up close to the main building. Then the space between the two houses was filled by an additional room and part of a gallery which adjoins the former small house on two sides. Finally, the part of the main house's rear gallery which connects to the addition was screened to form a breezeway.
4) At some point the two end rooms on each side of the upper floor began to sink, probably because of excessive moisture in the soil. To remedy this problem, two brick walls standing perpendicular to the basement wall were constructed on each side of the building. The slight space left between the top bricks of each wall and the floor of the premier etage was filled by shim shingles.
5) During the early twentieth century projecting bathrooms were added on each side of the main floor, and an additional bath was installed by enclosing space in one corner beneath the rear gallery.
Other changes include the loss of one wraparound mantel, the removal of a fireplace from the downriver upper floor room, the cutting off of the chimneys and the addition of dormers on the roof, and the covering of the original interior walls with sheetrock.
House (Building # 2):
This one-story frame linear cottage appears to date to the late nineteenth
century. It has a rear ell wing, clapboard siding, tin roof, Italianate front
door, and Eastlake gallery trim with unusual brackets.
Shed (Building # 3):
This board and batten shed dates to the early twentieth century. A lean-to
is attached at one side.
Shed (Building # 4):
This small rectangular shed is covered by vertical boards. It has a tin
roof and a lean-to attached at one side. It also dates to the early twentieth
century.
Small Barn (Building # 5):
This small frame barn with a tin roof has lean-to sheds attached to each
side. It dates to the early twentieth century.
Garage (Building # 6):
This early twentieth-century garage is also covered by vertical boards and a
tin roof.
Two-Story Dependency (Building # 8):
Although its precise use is not known, this dependency resembles the type of
two-story antebellum servants' quarters and garconnieres found in urban areas in
other Southern states. Dating to the mid-nineteenth century, it is two stories
tall, five rooms wide, and one room deep. One end room on each floor serves as a
stair hall. The structure is of brick with a wood-covered facade. Its dormered
roof is covered by tin. Original features include vernacular French Creole
wraparound mantels and exposed beaded ceiling beams, both on the second floor.
This story also has wide floorboards and early windows with immovable upper
sashes. In the late nineteenth century, the lower story was renovated, complete
with new mantels, and the entire second-story gallery was replaced with an
Eastlake gallery. The gallery is now quite dilapidated; however, Eastlake
corner boards and some Eastlake trim survive as does a portion of a curving
Eastlake staircase.
House (Building # 9):
This late nineteenth-century frame building has narrow gauge clapboard
siding and a tin roof. It shows Creole influence in its three sets of French
doors and exposed gallery ceiling beams. Its central door is surmounted by a
transom. A board and batten addition is located at the rear.
Garage (Building # 10):
This frame board and batten garage dates to the early twentieth century.
House (Building # 11):
This frame cottage with a screened front porch dates to the turn of the
twentieth century.
Quarters Cabins (Buildings # 12 - 17):
The six small cabins surviving on the property appear to be original slave
quarters which received major repairs in the late nineteenth century after being
moved from their original location behind the main house. This work was so
extensive that these buildings should be considered late nineteenth-century
quarters houses for all practical purposes. Surviving early elements include
pegged French joinery, square nail holes in the facades' flush board siding, and
boxed flues indicating that wraparound mantels were once present. The interior
walls are covered by beaded board and several of the structures have had rear
wings or lean-tos added. In addition, all have had their clapboard siding pieced
together or replaced by tin, and all but one have lost their chimneys.
Building # 7:
A small one-story frame building that stands next to the two-story dependency. It
appears to date to the late nineteenth century. Its original use is unknown.
It is in an advanced state of deterioration.